DIAMOND CPR1 – COMPRESSOR
Recording studios often use rackmount ‘vocal channels’ – a mic preamp, compressor, and EQ all in one unit as a front end for vocal recording. The Diamond Compressor is our take on a ‘guitar channel’ – a dynamics and tone shaping tool for live and studio use, with low-noise, ultra-linear signal buffering, smooth opto-based compression, and a versatile ’tilt’ EQ that musically shifts overall frequency balance.
All in a user-friendly 3-control package – Comp, EQ and Volume.
MP3 clip of the Diamond Compressor with EQ on. The guitar used is a Fender American Standard Strat (2nd Pos), into the compressor, and out to a Fender Vibro-King. The sample starts with no effect and then switches to an effect.
MP3 clip of the Diamond Compressor with EQ on. The guitar used is a Rickenbacker 330 (bridge), into the compressor, and out to a Vox AC30 Reissue. The sample starts with no effect and then switches to an effect.
Download the Compressor user manual here.
Features:
– Vactrol opto-isolator variable resistance path as used in high-end studio compressors for smooth attack and decay characteristics while preserving initial signal transients. – Premium audio components, including 2% polypropylene capacitors,1% metal film resistors and a pro audio grade opamp (our signal path opamp alone costs 8 to 10 times what the industry norm uses). – Post-compressor ’tilt’ EQ provides a very musical tailoring of frequency response – seamlessly transition from a darker jazz voicing to a brighter jangle, with flat frequency response at the center detent position. |
– Double filtering stage in side chain to eliminate low frequency modulation while preserving fast compression response. – Dual AC capacitive coupling paths for improved transient response. – Bi-color LED provides visual indication of depth of compression. – True bypass signal path. – Battery or standard negative tip 9V DC adapter operation, can be powered from 9 to 24 V negative tip. |
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