SUHR CORSOTM RECORDING AMPLIFIER HEAVYWEIGHT TONE, FEATHERWEIGHT PACKAGE

BEAUTIFUL ARCHITECTURE “A work of art and beauty … not just skin deep” Handcrafted into a beautiful 7-Ply Multi-Wood Headshell. Precision Laser Cut integrated 1-piece front panel and logo. A work of art that can be displayed in any room of your home or studio.
UNCOMPROMISED AT ANY VOLUME Power attenuator allows you to adjust the overall volume without having compromise to your tone.
VERSATILITY IN TONE Perfect amount of control to carve any tone for any recording or practice situation. An amplifier designed to be versatile for any player.
RECORDING MADE EASY AT HOME & IN THE STUDIO Line Out brings the entire sound of the amplifier to your recording workspace. Connected to any I/O device the line out makes it easy to capture the nuances and dynamics that Corso has to offer.
OVERVIEW The Suhr Corso Recording Amplifier is the ideal studio companion. Corso is an all-tube no compromise variable wattage amplifier (up to 5 watts) that provides players with all the tone and character of a high powered amplifier in a compact, portable form factor – perfect for any recording studio application or bedroom practice session. Corso is packed with a number of features which give players incredible flexibility for carving out their ideal sound. With the on-board attenuator, Corso can be easily transformed from the most complex and detailed clean tones, to a wall of harmonically rich overdriven lead tones at any volume.
CONFESSIONAL GRILL LIKE TO USE PEDALS? The Corso was designed with a unique low-gain input stage to accommodate a variety of your favorite boost, overdrive and time based pedals.
ESHER GRILL
RECORDING MADE EASY – AT HOME & IN THE STUDIO Equipped with unique a Line Out (post power section), the Corso is ready for the studio. The Corso’s Line Out offers the sound of the entire amplifier, not just the pre-amp section, so you can fully experience all of the Corso’s tone when you plug directly into your digital recording I/O interface for your next session. Should inspiration strike in the middle of the night, just turn the attenuator control fully counterclockwise and play without disturbing the neighbors, or your family.
FRONT PANEL SWITCHES BRIGHT: Engaging this switch boosts the upper mid frequencies, which adds clarity and definition to your tone which is useful for a variety of percussive playing styles such as Funk, Rock, and R&B. MID: Engaging this switch boosts the lower mid frequencies, which thickens up your overdriven rhythm and lead tones. GAIN: Engaging this switch adds 12dB of gain, which increases sustain and emphasizes upper harmonics for singing solos and percussive Alternative style rhythm playing. PRESENCE: Engaging this switch boosts the midrange frequencies, which gives your tone better definition and a clarity, without sounding harsh or fatiguing. DEEP: Engaging this switch boosts the bottom-end, adding low-end thump and body to any style, from clean to heavily distorted. This switch can also be used to compensate for a loss of low-end/body when playing Corso at lower volumes. CONTROL KNOBS DRIVE: Adjusts the amount of pre-amp overdrive added to your signal. Use the Drive control in conjunction with the Gain switch to experience the wide range of tones that Corso has to offer. Clean: settings between 1-2 offer a variety of full bodied clean tones with excellent clarity Classic Crunch: settings between 3-4 (with gain switch in the on position) offer a variety of British crunch rhythm tones with excellent midrange cut and articulation High Gain: settings between 5-7 (with gain switch in the on position) offer a dramatic increase in gain with extended low-end thump without loss of definition – taking you from Hard Rock to 80’s Heavy Metal Metal/Alternative (Alt) Tuning: settings between 8 and higher (with gain switch in the on position) offer increased saturation, harmonics (for additional sustain) and low end emphasis when playing drop and alt tuning styles TREBLE: Turning the control clockwise emphasizes the upper frequencies. While turning the control counter clockwise produces a warmer sound, which is excellent for dialing in smoother fluid-like lead tones, and is also well suited for Jazz styles. BASS: Turning the control clockwise increases the lower frequencies, providing a fuller low-end response. While turning the control counter clockwise reduces the bass, which tightens up the bottom-end. This can be very useful when playing at louder volumes, and at higher gain settings. POWER: A volume control that adjusts the overall output of your signal. Fully counter-clockwise (0) the Power control acts as a Load, allowing you to take complete advantage of Corso’s Line Out without having to be connected to a speaker cabinet. NOTE: The Power control only affects Corso’s speaker outputs, this does not alter/change the output level of the Line Out.

BACK PANEL
SPEAKER: 2 – 8Ω outputs wired in parallel IMPORTANT: To avoid damage to your amplifier, do not operate without turning down Corso’s Power control to it’s minimum setting (0) or connecting it to a suitable speaker load.	LINE OUT: Unbalanced ¼” Output. Use this to connect the Corso to a mixer or recording device. NOTE: The Corso’s Line Out is full range (not compensated) and offers the sound of the entire amplifier, not just the pre-amp section. To fully experience all of the Corso’s tone when plugging directly into a I/O device we advise the use of filtering (cabinet emulator) or impulse responses when using the Corso to record direct.
SAMPLE SETTINGS CLEAN Bright: On, Drive: 2, Mid Boost: Off, Treble: 6, Gain Boost: Off, Bass: 6, Presence: Off, Deep: On, Power: 8 THICK CRUNCH Bright: On, Drive: 7, Mid Boost: Off, Treble: 6, Gain Boost: Off, Bass: 3.5, Presence: On, Deep: Off, Power: 3 HEAVY DRIVE Bright: On, Drive: 5.5, Mid Boost: On, Treble: 6.5, Gain Boost: On, Bass: 4, Presence: On, Deep: On, Power: 3 PEDAL FRIENDLY Bright: On, Drive: 2, Mid Boost: Off, Treble: 4, Gain Boost: Off, Bass: 6, Presence: On, Deep: On, Power: 8 Played through the Riot Reloaded
SPECIFICATIONS: Channels: One Output: 5 Watts (variable) Tubes: 2-12BH7A (Power Section), 1-12AU7 (Input Stage), & 2-12AX7 (Tone and Phase Inverter) Front Panel: Input, Bright Switch, Drive, Mid Switch, Treble, Gain Switch, Bass, Presence Switch, Deep Switch, Power and On/Off switch Back Panel: AC Power Mains Inlet, Fuse (T1A/250V (Slo-Blow), 2-8Ω speaker outputs and Line OutDimensions: 13” x 7” x 8.5” Weight: 11.4 lbs. Grill Options: Esher or Confessional
SUHR CORSO™ NOW SHIPPING

SUHR CORSO™ FEATURING ANDY WOOD

SUHR CORSO™ USER GUIDE

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SUHR DOUG ALDRICH BRIDGE BLACK

SUHR ML STANDARD SINGLE COIL BRIDGE HOT WHITE

Today’s players demand quality, reliability and great tone. To ensure that your investment in tone is preserved throughout your signal chain, the Suhr Buffer utilizes only the highest quality components such as: low noise audiophile Op-Amps, Glass Epoxy PCB, and a machined billet aluminum enclosure. When it comes to quality and reliability, we designed the Suhr Buffer with the same attention to detail as all of our award winning products including the Badger, Hand Wired and OD series amplifiers.

OVERVIEWThe Suhr Buffer is a transparent signal buffer/line driver which is an essential tool designed to preserve your instrument’s tone. Tone loss occurs as a result of signal degradation, commonly caused by long cable run, or the use of multiple instrument cables – such as you would find on a pedal board. To solve this, the Suhr Buffer employs unity buffering to reverse the effects of capacitance without affecting your instruments tone or output level.

PLACEMENT

We recommend placing the Buffer as the first device in your signal chain. If you are using a vintage fuzz pedal such as a Fuzz Face® or Tone Bender® we recommend placing the Buffer after those devices to retain their character and relationship with your instrument’s electronics.

FEATURESThe Suhr Buffer offers a variety of features for every playing situation. The Buffer is built using the highest quality components and equipped with two independent outputs, all in a compact, solid, aluminum enclosure. One output (ISO) is isolated and utilizes a transformer to eliminate noise from ground looping and features a 180º Phase Reversal switch to keep your signal in phase when splitting between two amplifiers.

OPERATION
DC INLET: Use a compatible 9-18Vdc with a center negative power supply.
INPUT: Instrument Input, use this jack to connect to your instrument.
OUTPUT: Primary output, use this jack to connect to an amplifier or effect device.
ISO OUTPUT (transformer isolated): Secondary output, use this to split your instrument’s signal to an additional amplifier or sound source.
PHASE SWITCH (ø): The Phase Switch reverses the polarity of the Buffer’s ISO Output by 180º. Activate this switch to keep both output sources in phase.
OUT- Normal (non-reversed)
IN- Signals phase reversed by 180º

SPECIFICATIONS
Input Impedance: 1M Ω
Output Impedance: 150 Ω
Power Connector: 9v
Operating Voltage: 4.5Vdc – 18v
Maximum Voltage: 20Vdc
Over Voltage Protection: Yes
Current Consumption: <5ma
Dimensions: L- 2.87” x W- 2.53” x D- 1.23”
Weight: .379 lbs.
ROHS Compliant: Yes

BUFFER INTRODUCTION VIDEO

BUFFER USER GUIDE

MSRP: $129

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SUHR KOKO BOOST

KOKO BOOSTTM

OVERVIEW
Koko Boost is a unique boost pedal that incorporates both a clean transparent boost and a selectable midrange boost. Koko will expand the range of your tube amplifier and Overdrive / Distortion pedals.

Koko Boost features an easy to tweak layout which includes Boost and Mid knobs, plus a Freq (Frequency) select switch. The two foot-switches allow instant access of each boost mode.

CONTROLS
Boost: Adjusts the overall output of the boost circuit. The Boost control varies from 0dB (unity gain) to +20dB of gain. Turning this control to higher settings will efficiently push the front-end of your amplifier and create a broad range of natural overdriven tones.Mid: Adjusts the output of the selected Mid frequency (via the Freq switch) that is added to the clean boosted signal.Freq Switch (Three Position):

Left (Mids): Full and Smooth, tuned specifically to bring out your guitars natural midrange characteristics.
Middle (High Mids): Clear and articulate, voiced to cut through a mix for solo playing.
Right (Low Mids): Fat and Creamy, excellent for thickening up rhythm and lead tones.

FX LINK The FX Link can be utilized to remotely control the pedal. Shorting between the shield and the tip will activate the pedal. Opening the connection will turn off the pedal.BATTERY MONITOR The internal 9V battery is monitored at both power up and during use. The user will be alerted when the battery voltage becomes low. When the battery becomes too low to reliably operate the pedal, True Bypass is activated.
SAMPLE SETTINGS
CLEAN BOOST Boost 3
MID-BOOST Boost: 5 Freq: Right Mid: 5
MID-BOOST 2 Boost: 7 Freq: Left Mid: 7

SPECIFICATIONS:
Input Impedance: 1M ohm
Output Impedance: 600 ohm
Power Connector: 9Vdc, center negative, 2.1mm x 5.5mm
Operating Voltage: 4V to 18V (nominal 9V)
Maximum Voltage: 20Vdc
Reverse Battery Protection: yes
Over Voltage Protection: yes
Current Consumption: <20mA, 15mA typical
Estimated Battery Life: 37 hours (550mA per hour)
Dimensions: 4.875” Width x 3.875” Depth x 1.375” Height
Weight: One pound
FX Link Connector: 1/8” stereo
FX Link max Voltage: 3.3Vdc
Shield → Tip: Activate Mid Boost
Shield → Ring: Activate Boost
ROHS Compliant: Yes
Agency Approvals: N/A

KOKO BOOST™ CLASSIC

KOKO BOOST™ CLASSIC T HUMBUCKERS

KOKO BOOST™ CLASSIC ANTIQUE SINGLE COIL

KOKO BOOST™ USER GUIDE

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SUHR ISO BOOST

SUHR KOJI COMP

OVERVIEW
The Koji Comp is a versatile analog compressor, designed to offer a wealth of vintage and modern style compression effects without compromising your tone.

COMPLETE TRANSPARENCY OR VINTAGE WARMTH, IT’S UP TO YOU
With a simple twist of the Mix control, or flick of Koji’s Voice switch, you can easily create a limitless range of compression effects. Whether you choose subtle, transparent compression for smoothing out your rhythms, or dial in warm and squishy tones to take you into R&B and Country territory -the Koji Comp is possibly the last compressor you will ever need.

MULTI-FUNCTION LED Gain Reduction Indicator: The LED indicator that displays the amount of Gain Reduction based on the ratio of your instrument’s signal and the level of compression in your signal. Green – Minimal Gain Reduction Orange – Moderate Gain Reduction Red – Maximum Gain Reduction (This is not a bad thing) On / Off Indicator: The LED indicator displays the on / off effect status.
SAMPLE SETTINGS
SMOOTH COMPRESSION Use this setting to smooth out your dynamics for rhythms while retaining your instrument’s natural tone. Turn the Comp control up a little more and select the Right side of the Voice switch to add some sparkle to obtain a jangly 60’s rhythm tone.
PERCUSSIVE R&B Call up this setting and experience what old school R&B is all about. By selecting the left side of Koji’s Voice switch, your instrument will gain a boost in the upper mids to accentuate your picking technique, making it easier to be heard and cut through the mix.
SINGING ROCK SOLO Try this setting in combination with an overdrive pedal or an already distorted amplifier for a creamy 80’s Rock style solo tone.
VINTAGE SQUISH Dial in this setting for iconic stompbox style squish. Ideal for producing authoritative Country chicken pickin, select the Right side of Voice switch to add upper end definition and sparkle.

SPECIFICATIONS:
Input Impedance: 1M ohm
Output Impedance: 600 ohm
Power Connector: 9Vdc, center negative, 2.1mm x 5.5mm
Operating Voltage: 5V to 18V (nominal 9V)
Maximum Voltage: 20Vdc
Attack Time Range: 1ms-100ms
Gain Reduction Indicator: 3 Color LED
Reverse Battery Protection: yes
Over Voltage Protection: yes
Current Consumption: < 20mA
Estimated Battery Life: 40 – 50 hours of continuous use
Dimensions: 2.50″ Width x 4.50″ Depth x 1.25″ Height
Weight: 0.75 pound
FxLink Connector: 1/8″ mono jack
FxLink max Voltage: 3.3Vdc
Shield to Tip: Activate on/off
ROHS Compliant: Yes

Whether you’re a working musician, studio rat, or playing large arenas the Koji Comp’s rock solid aluminum enclosure and heavy duty footswitch ensures a lifetime of reliable performance.

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SUHR JACK RABBIT

JACK RABBIT

OVERVIEW
Jack Rabbit is a high quality analog pedal, that delivers a wide variety of tremolo effects – from warm wobble to whacked out. It features simple control over tempo by incorporating both tap, and strum tempo modes. It’s modulation rate spans from 1Hz to 20Hz and utilizes a tempo subdivision switch. The Jack Rabbit Tremolo is housed in a sturdy, aluminum enclosure for maximum protection from abuse. It can be remote controlled via the FX Link jack.Like all Suhr pedals, the Jack Rabbit Tremolo is True Bypass and can be powered from 9-18Vdc, drawing low current for extended battery life. It is protected from both over voltage and reverse voltage.

TEMPO SUBDIVISION SWITCH
Jack Rabbit features quarter note, eighth note, and quarter note triplet subdivisions.TONE SHAPING TOOLS
Jack Rabbit features an easy to tweak layout which includes Rate, Level, Waveform, and Depth controls.Rate: Controls the speed of the tremolo effect, from 1Hz to 20Hz.
Level: Controls the output level of the pedal, from +0dB to +14dB.
Depth: Controls the depth of the tremolo effect.
Waveform: Selects the modulation waveform which includes Sine, Square, Triangle, Reverse Ramp, and Ramp.

BATTERY MONITOR The internal 9V battery is monitored at both power up and during use. The user will be alerted when the battery voltage becomes low. When the battery becomes too low to reliably operate the pedal, True Bypass is activated.
SAMPLE SETTINGS
SINE WAVE Vintage-style tremolo inspired by the best tube tremolo circuits of the 1960’s
SQUARE WAVE An on/off tremolo that ranges from slow choppy stutter to helicopter whirl
RAMP UP Psychadellic swells give your playing a reverse feel

SPECIFICATIONS:
Input Impedance: 1M ohm
Output Impedance: 600 ohm
Power Connector: 9Vdc, center negative, 2.1mm x 5.5mm
Operating Voltage: 5V to 18V (nominal 9V)
Maximum Voltage: 20Vdc
Reverse Battery Protection: yes
Over Voltage Protection: yes
Current Consumption: < 20mA
Estimated Battery Life: 25 – 50 hours continuous use
Dimensions: 2.50″ Width x 4.50″ Depth x 1.25″ Height
Weight: 0.75 pound
FxLink Connector: 1/8″ stereo
FxLink max Voltage: 3.3Vdc
Shield -> Tip: Activate on/off
Shield -> Ring: External Tap
ROHS Compliant: Yes
Agency Approvals: N/A

JACK RABBIT™ INTRODUCTION VIDEOS

JACK RABBIT™ USER GUIDE

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SUHR SHIBA DRIVE RELOADED

OVERVIEW
In July of 2009, we shipped our very first Shiba Drive pedal. Shiba was designed to provide players with a variety of fat rhythm and warm singing lead tones. The Shiba Drive gained great popularity among players seeking an overdrive pedal that could be used in conjunction with their amplifier’s clean or overdrive channels for added flexibility. Shiba Drive Reloaded is the result of countless hours of listening, testing, and tweaking our original overdrive circuit to create a pedal that is more amp-like, has a tighter low-end, focused mids, and features more gain (50% more than our original Shiba). Shiba Reloaded is the ideal choice for players seeking classic Blues, Jazz, and Rock style tones.

AMP-LIKE PERFORMANCE
Designed to work equally well with single coil and humbucking instruments, the Shiba Reloaded responds dynamically to every nuance of your playing, just like the overdrive channel of a tube amplifier. With a simple twist of your volume knob, you can easily morph from pushed clean to full on Classic Rock style tones.

GAIN TO SPARE
The Shiba Drive Reloaded offers over 50% more gain than our original Shiba Drive. Our engineers fine tuned it’s gain stage, increased saturation and upper harmonics, which resulted in improved midrange articulation and more sustain, allowing your notes to sing without sacrificing low end definition.

SMOOTH SWITCH
We redesigned Shiba’s Smooth switch to be more apparent offering flexibility, giving you the ability to fine tune your sound. Whether you prefer warm violin-like solos or an open and defined full-bodied rhythm tone, Shiba Drive Reloaded is your ideal overdrive pedal for a variety of playing styles.

APPEARANCE
Housed in a unique, spiral faced enclosure, the Shiba Drive Reloaded is anodized in a deep saturated Blue and accented with futuristic and translucent control knobs.

PART OF THE FAMILY
An excellent companion to the original Shiba Drive, Shiba Drive Reloaded is a versatile overdrive pedal that delivers a broad range of pushed/overdriven tones, with an amp-like feel, all within a compact stompbox.

UNIQUE FEATURES:

Amp-Like Dynamics – Responds to every nuance of your playing with definition and clarity.
50% More Gain – Adds dimension, upper harmonics, and increased sustain.
Three Position Smooth Switch – Offers three distinct treble roll-off voicings.

SHIBA DRIVE™

ORIGINAL

SHIBA DRIVE RELOADED™ TEXAS BLUES

SHIBA DRIVE RELOADED™ FIRST IMPRESSION

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SUHR RIOT RELOADED

OVERVIEW
In 2009, we shipped our very first Riot distortion pedal. Riot became an overnight success, offering players the ability to transform a clean amp into a versatile Classic Rock tone machine.

Riot Reloaded is the result of countless hours of listening, testing, and tweaking our original distortion circuit to create a pedal that is amp-like, aggressive, in your face, and features more gain (30% more than our original Riot). Riot Reloaded is the ideal choice for players seeking Hi-Gain Rock, Metal, and drop tuning style tones.

AMP-LIKE PERFORMANCE
Riot Reloaded responds dynamically to every nuance of your playing, just like the overdrive channel of a modded amplifier. With a simple twist of your volume knob, you can easily morph from mild chunk to full on metal assault.

GAIN TO SPARE
Riot Reloaded offers over 30% more gain than our original Riot. Our engineers balanced the dual gain stages to increase saturation and upper harmonics, resulting in improved midrange articulation, more sustain, and a tighter three-dimensional sound.

TONE SHAPING
The tone control was modified to emphasize upper mid frequencies for a sweeter, more cutting tone, without sounding harsh or fatiguing.

APPEARANCE
Housed in a unique, spiral faced enclosure, the Riot Reloaded is anodized in a deep saturated purple, and accented with futuristic translucent control knobs.

PART OF THE FAMILY
An excellent companion to the original Riot, Riot Reloaded is a versatile distortion pedal that delivers a broad spectrum of Hi-Gain tones, with an amp-like feel, in a compact stompbox.

UNIQUE FEATURES:

Amp-Like Dynamics – Responds to every nuance of your playing with definition and clarity.
Over 30% More Gain – Adds dimension, upper harmonics, and increased sustain.
Tone Control – Modified to emphasize upper mid frequencies for a sweeter more cutting tone.
Three Position Voice Switch – Provides Classic, Modern (Full bodied), and Scooped EQ settings.

RIOT DISTORTION™

ORIGINAL

RIOT RELOADED™ FEATURING CORSO™

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SOLD FENDER AMERICAN VINTAGE 65 STRATOCASTER UPGRADED

MORE ABOUT AMERICAN VINTAGE ’65 STRATOCASTER®

La serie American Vintage presenta una nuova fiammante serie di chitarre su modelli originali dell’epoca che conferiscono una nuova, autentica, elettrizzante vitalità alla storia e al retaggio di Fender. Con caratteristiche chiave e cruciali elementi di design che abbracciano il periodo dalla metà degli anni ’50 alla metà dei ’60, la nuova serie di strumenti American Vintage attinge al cuore delle radici Fender, preservando con competenza l’eredità dell’innovativo artigianato chitarristico americano e dimostrando con una vitalità senza precedenti che Fender non solo sa perfettamente dove sta andando, ma che è anche memore delle proprie origini.

La serie American Vintage, per molto tempo, ha presentato alcune delle chitarre Fender di maggior successo (la loro apparizione nei primi anni ’80, in effetti, fu uno dei primi segni che Fender era “tornata”, e che l’era CBS era terminata). Oggi, Fender ha eliminato la vecchia produzione per fare posto a una nuovissima serie American Vintage dotata di nuove caratteristiche, nuove specifiche ed un livello di altissima precisione vintage mai espresso prima. Invece di sostituire semplicemente i modelli precedenti con modelli diversi, abbiamo reinventato completamente l’intero concetto di riedizione vintage, ripristinando i vecchi stampi originali, migliorando la sonorizzazione di nuovi pickup, riformulando colori vintage e altro ancora, sulla base di chitarre vintage cercate e trovate appositamente per assicurarci che stavamo muovendoci nella direzione giusta. Abbiamo lavorato molto ma siamo stati ripagati dal risultato: vi è una magia timbrica in tutti i nuovi strumenti American Vintage.

La Stratocaster del 1965 ha segnato il ritorno a uno spesso manico in acero con profilo “C”, questa volta con tastiera in palissandro scuro con laminatura rotonda e segnatasti intarsiati in perla più grandi. Questo è quello che offre ai musicisti l’American Vintage ’65 Stratocaster, unitamente ad altre caratteristiche originali, tra cui un battipenna bianco a tre strati con 11 fori, un corpo in ontano leggero, manopole in plastica antichizzata e pickup, sellette del ponte e meccaniche spaziate, il tutto vintage sino al midollo e molto altro ancora. In finiture Three-color Sunburst, Olympic White e Dakota Red in edizione limitata.

SPECS

General

Model Name:	American Vintage ’65 Stratocaster®, Round-Lam Rosewood Fingerboard, Olympic White
Model Number:	0111800800
Series:	American Vintage
Color:	3 Tone Sunburst

Body

Body Material:	Alder
Body Finish:	Fender Flash Coat Lacquer
Body Shape:	Stratocaster®

Neck

Neck Material:	Maple
Neck Finish:	Fender Flash Coat Lacquer
Neck Shape:	Mid ’60s “C”
Scale Length:	25.5″ (648 mm)
Fingerboard:	Round-Laminated Rosewood
Fingerboard Radius:	7.25″ (184.1 mm)
Number of Frets:	21
Fret Size:	Vintage-Style
String Nut:	Bone
Nut Width:	1.650″ (42 mm)
Position Inlays:	Dot
Truss Rods:	Vintage-Style Heel Adjust
Truss Rod Nut:	Vintage-Style Slotted

Electronics

Bridge Pickup:	American Vintage ’65 Gray-Bottom Single-Coil Strat
Middle Pickup:	American Vintage ’65 Gray Bottom Single-Coil Strat
Neck Pickup:	American Vintage ’65 Gray Bottom Single-Coil Strat
Controls:	Master Volume, Tone 1. (Neck Pickup), Tone 2. (Bridge/Middle Pickup)
Pickup Switching:	5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup
Pickup Configuration:	SSS

Hardware

Bridge:	6-Saddle American Vintage Synchronized Tremolo
Hardware Finish:	Chrome/Nickel-Plated Steel
Tuning Machines:	Single Line “Fender Deluxe” Vintage Style
Pickguard:	3-Ply White with Vintage Bevel
Control Knobs:	Aged White Plastic

Miscellaneous

Strings:	Fender® USA 250R NPS, (.010-.046 Gauges)
Unique Features:	Thick C-shaped maple neck with round-laminated rosewood fingerboard and larger pearl dot inlays; All-new pickups wound to period-correct specs and sound; Vintage-accurate bridge saddles and tuner spacing
Included Accessories:	Vintage ’65 Strat Strap, Cable, and Cloth; Vintage 3-Position Switch, ’60s Strat Information Kit, Bridge

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WAMPLER SLOSTORTION

Somewhere between the classic distortion tones and the ultra-modern high gain sound, there was an American amplifier that redefined gain. Soldano® amplifiers have been heard on some of the best guitar-god albums, and Brian couldn’t resist the challenge of capturing an authentic SLO-100® inspired tone in a pedal. Brian’s refined ear and wealth of experience designing pedals has led him to take what he feels are the killer tones of that amp and bring them under foot for guitarists with any setup.

The SLOstortion brings the awesome tone of those killer high-wattage heads and famous preamps together into one package, with a voicing that will be maintained across virtually any setup. No need to worry whether you’ll have a good clean tone and a good distorted tone. Just your favorite amp and the SLOstortion to take your tone places walked by some of the best guitar-slingers from the 1980s to today.

It features a great three-band EQ to make sure you can have “The Tone” through YOUR setup, whatever it may be. The gain is switchable between two separate modes to capture the nuances and flavor of its inspiration. The normal mode will go from a nearly clean tone to a tight, defined crunch, and the high gain mode goes all out. It’s responsive, too, and to top it off, even when the tone is as heavy as it gets, the pedal doesn’t squeal and hiss with noise. No sacrifices for your rig.

To top it off, the pedal features a specially tuned clean boost. It’s an op-amp boost circuit Brian’s worked on for some time, and even at unity output, it will add a little something extra to the sound. Stand out for your solo, or just give it that little extra kick. To complete the package, it functions independently: a true two-in-one pedal, offering great value, our way of showing our appreciation for the faith you place in our products!

We think you’re going to love this one. Brian’s worked on it as hard as he’s ever worked on anything before, and the results are apparent: an authentic American roar, with all the gain and tonal adjustments you need to take you and your rig wherever you need to go, and reliability that won’t let you down. Rock on, powered by the Wampler Pedals SLOstortion!

Mark McGuigan. Signal chain: Custom Suhr Modern, SLOstortion, Blackstar HT-5RH.

• Hand made in the U.S.A.

• High grade film capacitors and resistors picked for their superior sound and response

• Completely true bypass

• Battery connection and 9v power jack (barrel plug like Boss)

• Power draw: 15mA

• Completely original design

• Active 3 band EQ giving you complete tonal control

• Seperate Boost switch that can be used as a clean signal booster

• Completely original design

• Exceptionally responsive mid range

• Crunch / Overdrive switch giving you extra voicing options

• 3.50″ x 4.50″ (88.9mm x 114.3mm)

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The Doug Aldrich Bridge humbucker was designed to be the ultimate pickup for aggressive rock and metal playing styles. The Aldrich pickup offers focused lows, punchy mids and singing highs to cut through the heaviest mix.
The Doug Aldrich Neck humbucker is the perfect complement to the Aldrich bridge pickup. Carefully calibrated for the neck position, the Aldrich neck pickup is warm, clear with exceptional string-to-string balance.

ALDRICH SPECIFICATIONS: Magnet: Alnico VDC Resistance: 9KΩ (neck), 17.5KΩ (bridge)Spacing 50/53mmHook Up Wire: 4-ConductorColors: Black, Parchment, White, Zebra and Reverse Zebra Covers: Nickel and Gold

MSRP: $130


The DSV Bridge is a warmer version of our popular SSV humbucker. Equipped with a double row of screws, and slightly overwound for more output, the DSV offers increased sustain and a smoother top-end response.
The DSV Neck is a warmer version of our popular SSV humbucker. Equipped with a double row of screws, the DSV offers a player clarity, definition and a smoother top-end response.
DSV SPECIFICATIONS: Magnet: Alnico VDC Resistance: 8KΩ (neck), 9KΩ (bridge)Spacing 50/53mmHook Up Wire: 4-ConductorColors: Black, Parchment, White, Zebra and Reverse Zebra

MSRP: $120

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SUHR S 3 AGED CHERRY BURST

SUHR RUFUS FUZZ

SUHR KOKO BOOST RELOADED

SUHR BUFFER

SUHR KOKO BOOST

SUHR ISO BOOST

SUHR KOJI COMP

SUHR JACK RABBIT

JACK RABBIT

SUHR SHIBA DRIVE RELOADED

SUHR RIOT RELOADED

SOLD FENDER AMERICAN VINTAGE 65 STRATOCASTER UPGRADED

MORE ABOUT AMERICAN VINTAGE ’65 STRATOCASTER®

SPECS

WAMPLER SLOSTORTION

SOLD C.SHOP 2012 CLOSET CLASSIC PRO STRATOCASTER® UPGRADED

SERIES


The V60LP pickups are wound using a proprietary winding process to offer players a sweeter top-end with balanced lows and a focused midrange than our V60 model. V60LP pickups incorporate a modified staggered pole piece design to provide an even magnetic field needed to accommodate instruments with flatter neck radius and today’s string gauges.
V60LP SPECIFICATIONS: Magnet: Alnico VDC Resistance: 6.3KΩ (neck) 6.3KΩ (middle) RW/RP 7.2KΩ (bridge)Hook Up Wire: Braided ClothCovers: Black, Parchment, White and Aged Green


The Doug Aldrich Neck humbucker was designed to be the ultimate pickup for aggressive rock and metal playing styles. The Aldrich pickup offers focused lows, punchy mids and singing highs to cut through the heaviest mix.
The Doug Aldrich Neck humbucker is the perfect complement to the Aldrich bridge pickup. Carefully calibrated for the neck position, the Aldrich neck pickup is warm, clear with exceptional string-to-string balance.

ALDRICH SPECIFICATIONS: Magnet: Alnico VDC Resistance: 9KΩ (neck), 17.5KΩ (bridge)Spacing 50/53mmHook Up Wire: 4-ConductorColors: Black, Parchment, White, Zebra and Reverse ZebraCovers: Nickel and Gold


The SSV+ humbucker is a hot-rodded version of out popular SSV, overwound for more power and rich defined upper harmonics.

SSV+ SPECIFICATIONS: Magnet: Alnico VDC Resistance: 10KΩ (bridge) Spacing 50/53mm Hook Up Wire: 4-Conductor Colors: Black, Parchment, White, Zebra and Reverse Zebra Covers: Nickel and Gold

MSRP: $120


The ML (Mike Landau) pickups offer a balance of tight lows, focused midrange and smooth top-end sparkle. ML pickups incorporate a modified staggered pole piece design to provide a even magnetic field needed to accommodate instruments with flatter neck radiuses and today’s string gauges.Available in two versions: ML Classic – bright and punchy ML Standard – hotter for more output and sustain.corporate a modified staggered pole piece design to provide an even magnetic field needed to accommodate instruments with flatter neck radius and today’s string gauges.
ML CLASSIC SPECIFICATIONS: Magnet: Alnico VDC Resistance: 6.0KΩ (neck) 6.0KΩ (middle) RW/RP 6.5KΩ (bridge)Hook Up Wire: Braided ClothCovers: Black, Parchment, White and Aged Green

ML STANDARD SPECIFICATIONS: Magnet: Alnico VDC Resistance: 6.5KΩ (neck) 6.5KΩ (middle) RW/RP 6.9KΩ (bridge)Hook Up Wire: Braided ClothCovers: Black, Parchment, White and Aged Green


OVERVIEW In May of 2009, we shipped our very first Koko Boost pedal. Koko’s unique design incorporated both a transparent clean boost and a selectable midrange boost which extended the range of your tube amplifier and Overdrive and/or Distortion pedals. Needless to say it wasn’t long before Koko was seen on the pedalboards of touring guitarists for it’s unique capabilities.Koko Boost Reloaded is the result of countless hours of listening, testing, and modifying our original circuit to create a pedal with a smaller footprint, while simultaneously expanding its functionality and versatility. Thanks to our proprietary Multi-Function Technology, mf(x), switching between Koko’s two boosts has never been easier. Additionally, we have re-voiced the 3-position frequency switch and added +6dB more gain than our original Koko for increased harmonics and sustain.Koko Reloaded is the ideal solution for players seeking a pedalboard friendly Clean/Mid Boost pedal to expand the range of pushed and overdriven tones from their amplifier and pedal setup.

MORE CONTROL Koko Reloaded was engineered with independent Clean and Mid Boost controls resulting in the ability to fine-tune each mode.RE-VOICED FREQUENCY SWITCH (THREE POSITION) The Mid Boost frequencies have been optimized for a sweeter, more cutting tone, that never sounds harsh or fatiguing. Left (Mids): Full and Smooth, tuned specifically to bring out your guitars natural midrange characteristics. Middle (High Mids): Clear and articulate, voiced to cut through a mix for solo playing. Right (Low Mids): Fat and Creamy, excellent for thickening up rhythm and lead tones.

mf(x) = MULTI-FUNCTION TECHNOLOGY Koko Reloaded Created to enhance your overall playing experience, we developed Multi-Function Technology *mf(x). mf(x)* is a proprietary foot switch technology that enables you to seamlessly select between Koko Reloaded’s two distinct user modes, Clean and Mid, just by holding down it’s foot switch. Would you like to default to one mode in particular the next time you turn on Koko? Not a problem; *mf(x)* has built in memory that remembers your last mode choice.APPEARANCE Housed in a unique, spiral faced enclosure, the Koko Boost Reloaded is anodized in a deep raven black finish, and accented with futuristic translucent control knobs. Pedalboard Friendly – Ideal for pedalboards of all sizes More Control Individual Clean and Mid Boost controls Modified Frequency Switch (Three Position) – Modified for greater versatility and emphasized upper mid frequencies for a sweeter more cutting tone More Gain – +6dB of additional gain for increased harmonics and sustain


GENERAL
SERIES	Custom Shop Teambuilt
Model Name	Closet Classic Pro Stratocaster®
Model Number
BODY
Color	Aged Olympic White
Material	Lightweight Ash
Finish	Nitrocellulose Lacquer
Shape	Stratocaster
NECK
Neck Finish:	Nitrocellulose Lacquer
Neck Shape:	Mid 60 Slim “C” shape
Neck Material:	Maple Quartersawn
Scale Length:	25.5″ (648 mm)
Fingerboard	Indian Rosewood 9,5″ Radius
Fret Size:	Dunlop 6105
Nut Width:	1.650″ (42 mm)
No. of Frets	21
Position Inlays:	White Dot
ELECTRONICS
Bridge Pickup:	Seymour Duncan TB 4 Jeff Beck withSingle/Series/Parallel Switch
Middle Pickup:	Suhr Fletcher Landau RW/RP
Neck Pickup:	Suhr Fletcher/Landau
Controls	Master Volume, Neck Tone ,Middle/Bridge Tone
Pickup Configuration:	HSS
Pickup Switching	5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup
HARDWARE
Bridge	” Pivot Modern-Style Syncronized Tremolo
Machine Heads	SperzelLocking Tuning Machines
Hardware Finish	Nickel
Pickguard	3 Ply White11 Holes
Accessories	Black Tolex Case-Strap-Cable-Coa-Original Pickguard Texas Specila Loaded
Notice	Product Prices, Features, Specifications and Availability Are Subject To Change Without Notice

JACK RABBIT

MORE ABOUT AMERICAN VINTAGE ’65 STRATOCASTER®

SPECS

SERIES

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